PRACTICAL DESCRIPTION OF THE IMPORTANT STAGES OF PERFORMING WORKS WRITTEN FOR THE “CHOIR” UNDER THE ACCOMPANIMENT OF A CONDUCTOR AND CONDUCTING WHILE LISTENING TO THE ACCOMPANIMENT PART.

Authors

  • Sherzod Shozargarovich Salimov Teacher of Navoi Specialized Culture School
  • Gulmira Komiljonovna Normuminova Teacher of Navoi Specialized Culture School

Keywords:

Choir, conductor, articulation, dynamics, accompaniment, tempo, genre, form.

Abstract

 

 The basic harmonic basis of the works written for the choir is the advanced methods of interpreting the color of the accompanying sounds in full performance, which show a strong interdependence through the melody, scale, rhythm of the piano part. 

References

Ro‘ziyev R. «Xorshunoslik», -T., 1987.

Mansurova G. «Xorshunoslik va xor jamoalari bilan ishlash uslubiyoti», -T., 2016.

Qodirov R. «Musiqa psixologiyasi», -T., 2005.

Neygauz G. «Ob iskusstve fortepiannoy igri»,- M., «Muzika», 1988.

Bezborodova L. «Dirijirovaniye» , -M., «Prosveshsheniye», 1990.

Downloads

Published

2023-01-02

How to Cite

Salimov, S. S., & Normuminova, G. K. (2023). PRACTICAL DESCRIPTION OF THE IMPORTANT STAGES OF PERFORMING WORKS WRITTEN FOR THE “CHOIR” UNDER THE ACCOMPANIMENT OF A CONDUCTOR AND CONDUCTING WHILE LISTENING TO THE ACCOMPANIMENT PART. INTERNATIONAL CONFERENCES, 1(21), 325–327. Retrieved from http://erus.uz/index.php/cf/article/view/1068